![]() "Papa Loves Mambo" - Direct from the 1950's comes this delightful little song and recorded by a myriad of artists through the decades. "Mambo Italiano" - Here is an irresistible choral setting of Rosemary Clooney's famous hit from 1955 that will be tons of fun to perform! A delightful concert change of pace! " One Note Samba" - This samba standard absolutely sparkles with cheerful rhythm! Perfect for high school singers and up with plenty of solo opportunities, you'll work your diction skills and dazzle your audience. Originally recorded by Sergio Mendez & Brazil '66. "Mas Que Nada" - This classic bossa nova tune will give a smooth Brazilian flavor to your next jazz or show choir concert. "Blame It on the Bossa Nova" - You'll capture the sound of an era when you perform this campy hit from 1963 at the zenith of the Bossa Nova craze! Opening with a two part call and response, it moves into a fully harmonized chorus with some clever lyrics that will create smiles all around. I also set the chart's default key to match the ending chord (E).Ready for samba! "The Girl from Ipanema" - The legendary Brazilian composer Antonio Jobim's most famous song in a memorable setting. I added Fine so the form would play ABA as it is usually performed. Experiment with other styles like Latin - Bossa Acoustic or Electric which offers piano. I can’t make that cymbal crash go away in the Latin-samba style. I was unsuccessful in preventing the player from adding the “automatic ending chord” after the percussion bars.īy removing the final two measures of percussion and using the invisible END instruction, the final E sounds only once. The added two bars of percussion at the end of your chart confuses the player. It's always best to post your chart directly from your app along with your question. The X9#13 isn't recognized by the iRp player, can you suggest an alternate voicing? Thanks for sharing the ACJ changes and reminding us about the "invisible" END command. I have used up all the scale i know, and at the end i've come to nothing, Playing the iRp chart top to bottom is musically the same as the GGB’s repeating the first part of A, then jumping to the coda.Īs i'm bound to be the unavoidable consequence of you The iRp chart is actually A1,B, A2 with the coda changes included in A2. JerYou are correct that the iRp and GGB forms are identical when played once. It only becomes ABA on the last chorus, with the final A going to the Coda instead of to the B. It shows the form as ABA, which is only correct if one is playing just one chorus. The form of the tune in Jazz 1300 is incorrect. ![]() One Note Samba GBB - Antonio-Carlos Jobim The only musical difference between the chords in the two charts is in the final two beats of the last bar in the B-section. The second half of the final bar in the B section contains the only variance. ![]() ![]() The first half of the next bar features a CØ7 (iRp), C-7b5 (GBB) again, same chord. The GBB version instead uses Db-7|Gb7| B▵7 Same chords, different names. ![]() In the B section, the iRp chart uses: C#-7|F#7|B▵7 (ii,V,I) to the B. The GBB uses a coda form instead (to save space on the page). The iRp chart writes out the 16 bars after the B section. I started with a duplicate of the iRp chart from the 1300 and planned to "correct" chords as neccessary. The ones from the original playlist seem wrong and I wanted to look for other versions (like the Blue Book.)I just transcribed One Note Samba from the Great Gig Book (BLUE BOOK) I came here looking for One Note Samba changes. ![]()
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